Formalism and Historicity: Benjamin H. D. Buchloh.
More recently, some have taken leave of the visual altogether and descended into theory, including Benjamin Buchloh and Rosalind Krauss. Like a fresh wind on a sultry day, John Updike blows across.
French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution Baetjer, Katharine (2019) Genji: A Picture Album McCormick, Melissa, with contributions by John T. Carpenter, Monika Bincsik, and Kyoko Kinoshita (2019) Gerhard Richter: Painting After All Wagstaff, Sheena, and Benjamin H. D. Buchloh, with essays by Briony Fer, Hal Foster, Peter Geimer.
The work of Benjamin Buchloh is a breathtaking beacon of intellectual thought and critical exposition, while the essays of Dave Hickey have offered an important and influential counterpoint to much critical writing around to today. A brilliant stylist, Hickey’s erudition and his emphasis on subjectivity have given me and, I think, many others, permission to think and talk about art in ways.
Hal Foster, Rosalind E. Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, David Joslelit. Groundbreaking in both its content and its presentation,Art Since 1900has been hailed as a landmark study in the history of art. Conceived by some of the most influential art historians of our time, this extraordinary book has now been revised, expanded and brought right up to date to include the latest.
These influential essays by the noted critic and art historian Benjamin Buchloh have had a significant impact on the theory and practice of art history. Written over the course of three decades and now collected in one volume, they trace a history of crucial artistic transitions, iterations, and paradigmatic shifts in the twentieth century, considering both the evolution and emergence of.
Part of the acclaimed 'Documents of Contemporary Art' series of anthologies. Beauty is among the most hotly contested subjects in current discussions on art and culture. After decades of disavowal, beauty's resurgence in recent art has engaged some of the most influential artists and writers. Spanning diverse positions, this anthology assembles the key texts on the cultural politics of this.
Benjamin H.D. Buchloh is the Andrew W. Mellon Professor of Modern Art at Harvard University, and one of the editors of October. His most recent collection of essays, Formalism and Historicity: Models and Methods in Twentieth Century Art, was published by MIT Press in 2015. His essay on Raymond Pettibon in the exhibition catalogue for “Raymond.